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MULTIDRONE · Project

Autonomous Multi-Drone Filming Teams for Live Events and Broadcasting

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Imagine you're directing a live outdoor event — a cycling race, a football match, a city marathon — and instead of one camera drone with one dedicated pilot, you have a team of 4 to 10 drones that coordinate themselves like a flock of birds. The director just says what shots they want and the drones figure out formations, avoid the crowd, and keep filming even if something unexpected happens. It's like going from one handheld camera to a full automated camera crew in the sky, with built-in safety so no drone ever flies dangerously close to spectators.

By the numbers
4-10
drones coordinated simultaneously in a single production team
10
consortium partners across the project
7
countries represented in the consortium
3
industry partners involved in development
16
total project deliverables produced
The business problem

What needed solving

Live outdoor event coverage today relies on expensive helicopter shots or single camera drones that each need a dedicated pilot. Scaling aerial coverage to stadium or city-level events means multiplying crew and costs linearly. Production directors lack tools to coordinate multiple aerial cameras autonomously while keeping crowds safe.

The solution

What was built

The project delivered an experimental multi-drone platform demonstrated in real media productions, coordinating 4-10 drones with autonomous flight planning, crowd avoidance, emergency landing, and production crew interfaces. A total of 16 deliverables were produced covering the full system stack from perception to human-in-the-loop control.

Audience

Who needs this

TV broadcasters covering large outdoor sporting eventsLive event production companies wanting dynamic aerial shotsSports leagues and federations producing their own media contentPublic safety agencies needing multi-drone crowd monitoringDrone service companies looking to expand into media production
Business applications

Who can put this to work

Broadcasting & Media Production
enterprise
Target: TV broadcasters and live event production companies

If you are a broadcasting company dealing with the high cost of helicopter shots and the limited coverage from single camera drones — this project developed an autonomous multi-drone platform using 4-10 coordinated drones that can cover stadium or city-level events. The system minimizes crew workload while maximizing shot variety and reaction speed to unexpected moments during live events.

Sports & Entertainment
mid-size
Target: Sports leagues, event organizers, and stadium operators

If you are a sports event organizer struggling to deliver dynamic aerial coverage across large venues — this project built a multi-drone system with embedded crowd avoidance and autonomous emergency landing capabilities. The platform adapts to event dynamics in real time, offering richer coverage of outdoor events held over wide areas at stadium or city level.

Security & Surveillance
any
Target: Public safety agencies and crowd management firms

If you are a security firm responsible for monitoring large outdoor gatherings and need better situational awareness — the perception and crowd-detection technology from this project could enhance your aerial monitoring. The system was designed to be contextually aware with improved perception of crowds and individual people, handling 4-10 drones with minimal operator load.

Frequently asked

Quick answers

What would it cost to deploy a multi-drone filming system like this?

The project does not publish pricing or unit costs. Since this was a Research and Innovation Action (RIA) that produced an experimental demonstration, commercial pricing would depend on the hardware configuration (4-10 drones), sensor packages, and software licensing terms negotiated with the consortium partners.

Can this scale to cover very large events like city marathons or multi-venue festivals?

Yes, the system was explicitly designed for outdoor events at stadium and city level. The platform manages 4-10 drones simultaneously with autonomous coordination, which reduces operator overload and allows coverage of wide-area events without proportionally increasing crew size.

Who owns the IP and how can I license this technology?

The consortium of 10 partners across 7 countries developed this under Horizon 2020 RIA rules, where IP typically stays with the partners who generated it. The coordinator is Aristotle University of Thessaloniki in Greece. Licensing would need to be negotiated directly with relevant consortium members.

How does the system handle safety around crowds?

Safety was a core design priority. The platform includes embedded flight regulation compliance, enhanced crowd avoidance, autonomous emergency landing, and communications security. It was built to handle emergencies even against adverse conditions or crew inaction.

What's the timeline from here to a commercial product?

The project closed in December 2019 after 3 years of development. An experimental demonstration in real media productions was completed. Moving to a commercial product would require additional engineering, certification, and integration work — likely involving some of the 3 industry partners already in the consortium.

How does this integrate with existing broadcast workflows?

The system was designed with human-in-the-loop principles, meaning the production director and crew remain in control while the drones handle autonomous coordination. This approach aims to fit into existing production workflows by maximizing shooting creativity and productivity while minimizing the need for specialized drone operators.

Is there support or a team behind this for further development?

The consortium included 3 industry partners and 1 SME alongside universities and research organizations. Based on available project data, post-project support would depend on whether individual partners have continued commercialization efforts since the project ended in 2019.

Consortium

Who built it

The MULTIDRONE consortium brings together 10 partners from 7 countries (Germany, Greece, Spain, France, Italy, Portugal, UK), with a balanced mix of 3 universities, 3 industry players, 1 research organization, and 3 other entities. The 30% industry ratio and inclusion of 1 SME suggest a research-heavy project with some commercial grounding. The geographic spread across major European media markets (UK, France, Germany, Spain, Italy) is strategically valuable for future commercialization. The coordinator, Aristotle University of Thessaloniki, is a large Greek university — meaning commercial exploitation likely depends on the industry partners taking the lead on productization.

How to reach the team

Aristotle University of Thessaloniki (Greece) — contact via university research office or project website

Next steps

Talk to the team behind this work.

Want to explore licensing this multi-drone filming technology or connecting with the development team? SciTransfer can arrange a qualified introduction.