TICASS (2017-2021) focused explicitly on technologies of imaging in communication, art, and social sciences, establishing the university's core thematic identity in this area.
PWANI UNIVERSITY
Kenyan coastal university contributing East African academic expertise in visual culture, imaging technologies, and transcultural art education to European research consortia.
Their core work
Pwani University is a public university on the Kenyan coast that contributes humanities and social sciences expertise to international research consortia, particularly in visual culture, digital imagery, and art education. Their H2020 engagement centers on the study of images as cultural and communicative artifacts — how visual material functions in urban spaces, scientific contexts, and cross-cultural settings. Both of their EU projects involve MSCA-RISE researcher exchange schemes, positioning the university as an East African institutional host and contributor for European researchers studying transcultural visual phenomena. Their value in consortia is primarily geographic and cultural: they bring a sub-Saharan African academic context to questions that European teams cannot address from within Europe alone.
What they specialise in
TPAAE (2020-2024) directly addresses transcultural perspectives in art and art education, indicating a sustained engagement with cross-cultural dimensions of visual arts pedagogy.
Participation as a non-EU third party in both MSCA-RISE projects positions Pwani University as a bridge institution bringing Kenyan and East African academic context into European-led visual culture research.
How they've shifted over time
In their first project (TICASS, from 2017), Pwani University's contribution was framed around technologies of imaging — iconosphere, urban space, digital imagery, and scientific images — reflecting an interest in how visual technologies shape knowledge and communication across disciplines. By their second project (TPAAE, from 2020), the focus appears to have shifted toward the pedagogical and transcultural dimensions of art, moving from image analysis as a technical or theoretical question toward how art and art education function across cultural boundaries. This is a modest but coherent progression: from the mechanics and theory of images to the transmission and teaching of art across cultures.
Pwani University appears to be deepening its engagement with the educational and cross-cultural dimensions of art, suggesting they would be a relevant partner for future projects at the intersection of arts pedagogy, cultural exchange, and African-European academic collaboration.
How they like to work
Pwani University has participated exclusively as a third party — the non-EU partner role characteristic of MSCA-RISE schemes — meaning they host incoming researchers and send their own to European institutions, rather than holding formal project partner status. They have never coordinated an H2020 project. With 10 unique partners across 6 countries from just two projects, their network is modest but geographically spread, which is typical for MSCA-RISE participants that bring geographic diversity to otherwise European consortia.
Pwani University has connected with 10 distinct consortium partners across 6 countries through two MSCA-RISE exchanges. Their network is outward-facing by design — MSCA-RISE is built on researcher mobility, so their partners are European institutions that view Pwani as an important non-EU node for cultural and academic exchange.
What sets them apart
Pwani University occupies a rare position as one of very few East African higher education institutions active in H2020, making them a distinctive choice for consortia that need a credible African academic partner with demonstrated EU project experience. Their specific focus on visual culture, digital imagery, and transcultural art sets them apart from the more common African partners in health or agricultural research. For projects requiring African institutional anchoring in humanities, arts, or social sciences, Pwani University is among a small number of options with an existing EU collaboration track record.
Highlights from their portfolio
- TICASSBroadest thematic scope of the two projects, spanning imaging technologies across communication, fine arts, and social sciences — and the source of all available keyword data for this organization.
- TPAAERepresents the university's most recent EU engagement (running to 2024) and signals a pedagogical turn toward transcultural art education, potentially opening paths to future education-focused consortia.