POEM (MSCA-ITN, 2018–2022) focused precisely on participatory memory practices, social entrepreneurship, open knowledge, and empowerment in heritage contexts.
MOESGARD MUSEUM
Danish research museum contributing archaeological collections and participatory heritage expertise to European digital humanities and cultural data projects.
Their core work
Moesgaard Museum is a Danish research museum based near Aarhus, specialising in ethnography and archaeology — both as a public institution and as an active research partner. In EU projects, the museum contributes its expertise in cultural heritage practice, participatory memory-making, and archaeological collections to interdisciplinary research consortia. Their dual role — scientific research institution and public-facing museum — gives them an unusual bridge between academic knowledge production and community engagement, including digital and social media communication of heritage. They bring hands-on experience with tangible collections, ethnographic fieldwork, and open-access approaches to cultural data.
What they specialise in
ARIADNEplus (RIA, 2019–2022) is the pan-European infrastructure for networking archaeological datasets, where the museum contributed as a third-party collections holder.
POEM's keyword set includes social media, digital media, and ethnography of infrastructures — areas where the museum's public outreach practice informs research.
POEM's scope encompasses ethnography of infrastructures and empowerment, reflecting the museum's ethnographic research department alongside its archaeological collections.
How they've shifted over time
Their earliest H2020 engagement (POEM, 2018) centred on the social and participatory dimensions of heritage — public memory, open knowledge, social media, and community empowerment — reflecting a concern with how cultural heritage is produced and shared in contemporary society. By 2019 their second project shifted squarely to archaeological data infrastructure, with keywords narrowing to technical data networking rather than social practice. This suggests a parallel track: one oriented toward the human and communicative side of heritage, one toward the technical backbone of archaeological research — both natural for a museum that operates both as a research institution and a public collection holder.
Moesgaard Museum appears to be evolving from a purely thematic heritage partner into a collections-data contributor for large research infrastructures, making them increasingly relevant for digital humanities and open archaeological data initiatives.
How they like to work
The museum has never led an H2020 project — appearing once as a partner and once as a third party — which is typical for a specialist institution that contributes domain expertise and collections access rather than project management capacity. Despite only two projects, they connected with 63 unique partners across 29 countries, indicating they joined genuinely large international consortia (MSCA training networks and pan-European RIAs) rather than small bilateral arrangements. A future collaborator should expect them in a specialist contributor or associated partner role, bringing legitimacy, collections access, and public engagement capability rather than coordinating administrative weight.
Despite only two H2020 projects, the museum has touched 63 unique consortium partners across 29 countries — a broad European footprint explained by membership in two inherently large project types (an MSCA Innovative Training Network and a pan-European Research Infrastructure Action). Their network skews toward the European cultural heritage and digital humanities research community.
What sets them apart
Moesgaard Museum occupies a rare position as a research-active museum with both ethnographic and archaeological collections, giving it credibility in two distinct scholarly communities simultaneously. Unlike university departments or pure research institutes, the museum brings a practitioner perspective on how knowledge reaches public audiences — an asset for projects that need to demonstrate societal impact or involve participatory methodologies. For consortium builders, they are a credible Danish cultural institution that can provide collections data, ethnographic fieldwork capacity, and public engagement expertise in a single partner slot.
Highlights from their portfolio
- POEMAn MSCA Innovative Training Network on participatory memory practices — a rare project that trained early-career researchers at the intersection of cultural heritage, social media infrastructure, and community empowerment, with the museum as an active research partner.
- ARIADNEplusOne of Europe's flagship research infrastructure projects for aggregating and networking archaeological datasets across the continent, where the museum's collections contributed to a shared open-access data layer.