SciTransfer
Organization

FONDAZIONE MUSEO DELLE ANTICHITA EGIZIE DI TORINO

Turin's Egyptian museum applying photogrammetry, 3D modelling, and conservation science to study and digitally preserve ancient artefact collections.

NGO / AssociationsocietyITNo active H2020 projectsThin data (2/5)
H2020 projects
3
As coordinator
1
Total EC funding
€251K
Unique partners
55
What they do

Their core work

The Museo Egizio in Turin is one of the world's most important museums dedicated to Egyptian antiquities and archaeology. In the research context, they apply scientific methods — particularly photogrammetry, 3D modelling, and conservation science — to study, preserve, and digitally document ancient Egyptian artefacts and archaeological heritage. Their H2020 involvement focuses on training early-stage researchers at the intersection of technology and cultural heritage, and on advancing digital documentation techniques for museum collections.

Core expertise

What they specialise in

Digital documentation of cultural heritage (photogrammetry, 3D modelling)primary
2 projects

FacesRevealed (coordinated) used photogrammetry to create 3D models of Yellow Coffins; ED-ARCHMAT covered digital techniques applied to archaeology.

Conservation science and archaeological materialssecondary
2 projects

ED-ARCHMAT focused on archaeological and cultural heritage materials science; FacesRevealed applied scientific analysis to ancient Egyptian coffins.

Doctoral and early-career researcher training in heritage sciencessecondary
2 projects

T4C and ED-ARCHMAT were both MSCA training networks providing intersectoral PhD training with industry secondments.

Egyptology and museum-based archaeological researchprimary
3 projects

All three projects connect to the museum's core mission of studying and preserving Egyptian antiquities, with FacesRevealed directly investigating Egyptian coffin collections.

Evolution & trajectory

How they've shifted over time

Early focus
Doctoral training in heritage sectors
Recent focus
Digital 3D documentation of artefacts

Their earlier H2020 involvement (2018) centred on structured doctoral training — hosting early-stage researchers through MSCA networks focused on soft skills, entrepreneurship, and intersectoral career development in cultural heritage. By 2021, they shifted to leading their own research: the FacesRevealed project, which they coordinated, applies photogrammetry and 3D modelling directly to their Egyptian collections. This marks a move from being a training host to an active research driver using digital heritage technologies.

Moving from hosting researchers trained elsewhere toward leading their own digitisation and conservation science projects — expect them to seek partners with advanced imaging or data infrastructure capabilities.

Collaboration profile

How they like to work

Role: specialist_contributorReach: European11 countries collaborated

Museo Egizio has primarily participated as a third party (2 of 3 projects), which is typical for museums providing access to collections and domain expertise without heavy administrative involvement. Their one coordinated project (FacesRevealed, MSCA-IF) shows they can lead focused individual fellowship research. With 55 consortium partners across 11 countries, they are well-connected through the large MSCA training networks they joined, though their direct coordination experience is limited to small-scale fellowships.

Connected to 55 unique partners across 11 countries, primarily through large MSCA doctoral training networks. Their network spans European universities and cultural heritage institutions, giving them broad reach despite limited direct coordination.

Why partner with them

What sets them apart

Museo Egizio is one of the few world-class Egyptology museums actively engaged in EU-funded digital heritage research. Their combination of direct access to one of the largest Egyptian collections outside Cairo with hands-on experience in photogrammetry and 3D modelling makes them a rare partner for projects needing real archaeological artefacts as test cases. For consortium builders, they offer something most universities cannot: a living laboratory of thousands of ancient objects available for non-invasive scientific study.

Notable projects

Highlights from their portfolio

  • FacesRevealed
    Their only coordinated project — an MSCA Individual Fellowship applying photogrammetry to Egyptian Yellow Coffins, representing their transition from training host to research leader.
  • ED-ARCHMAT
    European Doctorate programme in archaeological materials science, connecting conservation science with digital archaeology across multiple countries.
Cross-sector capabilities
Digital heritage and 3D digitisation technologiesMaterials science applied to conservationMuseum informatics and cultural databasesTraining and skills development in STEAM fields
Analysis note: Profile based on only 3 projects (2 as third party), with EC funding data available for just one. The museum's real research capacity is likely broader than what H2020 data alone reveals, but claims here are limited to evidence from these projects. Two of three participations were as third party in large MSCA networks, which inflates partner/country counts relative to actual collaboration depth.