FEMINICON studied feminine iconography in Magna Grecia and Illyria (8th-3rd century), while PERFORMART examined Roman aristocratic cultural patronage (1644-1740).
ECOLE FRANCAISE DE ROME
French research institute in Rome specializing in Mediterranean history, archaeology, religious diplomacy, and digital humanities.
Their core work
The École Française de Rome is a prestigious French research institute based in Rome, specializing in historical and archaeological research across the Mediterranean world. Their work spans from ancient history (Magna Grecia, southern Italy antiquity) to modern religious and diplomatic history, with a strong focus on Catholic institutions and their global influence. They combine traditional humanities scholarship with digital humanities methods, building databases and analytical tools for historical research on material culture, iconography, and transnational religious networks.
What they specialise in
HUMANE investigates the transnational history of Catholic humanitarian aid organizations in the Middle East.
FEMINICON explicitly uses digital humanities methods, databases, and network analysis to study ancient material culture.
FEMINICON applies gender and interculturality lenses to analyze feminine representations across ancient southern Italian and Illyrian cultures.
PERFORMART studied how Roman aristocratic families promoted and practiced the arts between 1644 and 1740.
How they've shifted over time
Their earliest H2020 involvement (2016) centered on early modern European cultural history through PERFORMART, studying Roman aristocratic arts patronage. From 2020 onward, the focus shifted in two directions simultaneously: backward in time to deep antiquity (FEMINICON on Magna Grecia, 8th-3rd century BCE) and forward to 20th-century transnational religious history (HUMANE). The recent projects also show a methodological shift toward digital humanities tools and a thematic turn toward gender, intercultural exchange, and the political dimensions of religion.
They are broadening their chronological range while increasingly applying digital methods and socio-political lenses (gender, diplomacy, humanitarianism) to historical research.
How they like to work
EFR primarily leads its own projects, coordinating 2 out of 3 H2020 grants, both as MSCA Individual Fellowships — a format where the institution hosts a single researcher. Their one participation as partner (PERFORMART, an ERC grant) shows they can also contribute to larger externally-led projects. With only 1 unique consortium partner across all projects, they operate as an independent research host rather than a networked consortium builder.
Extremely small formal H2020 network with just 1 consortium partner in 1 country. Their real collaborative strength likely lies outside EU framework programmes, through their institutional role as a hub for French and international scholars working on Italian and Mediterranean topics.
What sets them apart
As a French national research institute physically located in Rome, EFR occupies a rare cross-border position — deeply embedded in Italian scholarly infrastructure while maintaining French academic standards and networks. Their research bridges Western European, Mediterranean, and Middle Eastern history in ways few single institutions can. For consortium builders in humanities and social sciences, they offer a credible hosting environment for individual fellowships with strong archival access in Rome and southern Italy.
Highlights from their portfolio
- PERFORMARTLargest grant (EUR 1,176,000) as an ERC Consolidator project — signals the institute's capacity to support ambitious, well-funded research.
- HUMANEMost recent project connecting Catholic humanitarian organizations to Middle East geopolitics — an unusual intersection of religious history and international relations.
- FEMINICONCombines ancient archaeology with digital humanities and gender studies — represents EFR's methodological modernization.